Review: “A Quiet Place” by John Krasinski: Survival Through Silence

In this scene, Emily Blunt and director John Krasinski narrate a scene from their movie.

John Krasinski is an actor and director from the film “A Quiet Place.” The scene you are currently viewing is from the opening of the film. This is our brave family, making their way home from what is now known to be an abandoned town. And in a way, this establishes many of the film’s rules, like the one about perspective and sound that you’re currently viewing. You can actually hear stuff when we’re up close. One of the things we truly enjoyed doing throughout the entire film is that you can’t hear the exact same sound when you switch to a wider shot.

This movie was shot in Upstate New York. The goal was to experience isolation by being in a very remote place during a sort of post-apocalyptic period. Thus, this family’s location in the middle of nowhere contributes to their sense of being there. The fact that they have nowhere to turn and no one nearby to assist them, in my opinion, heightens the suspense. There is a tonne of sound design here.

It is unquestionably a central figure that is present with the family. Thus, one of the actors, Millie, is a deaf actor. And we’re going to experiment with her perspective, which is one of my favourite scenes in the film. Our goal was for the film’s audio to accurately capture her real-life experiences. Thus, you are able to hear sound while you walk with Noah and Emily, as we are doing here. [soft footsteps] You cut to Millie right here, and we muffle the sound.

Review: "A Quiet Place" by John Krasinski: Survival Through Silence
Review: “A Quiet Place” by John Krasinski: Survival Through Silence

We called this place “the envelope” since it’s inside her head, and despite wearing a hearing aid, she can’t hear too much. She is unable to hear much, though. We thus experiment with that for the duration of the film. Thus, she is unable to detect the sound that is currently being generated behind her. Thus, from her point of view, I flee and appear afraid, but she is unsure of why. And now is where she realises it. She then realises that the movie’s opening loud noise was just generated by her younger brother. And as you can see, that sound has terrible repercussions.

In keeping with its title, John Krasinski’s “A Quiet Place” tiptoes ahead, the camera focused on the Abbott family’s, cushioned feet as they forage in an abandoned supermarket. Day 89—of what, we don’t know—is announced by a title card, so we search for hints. Mr. Krasinski and his real-life wife, Emily Blunt, are Lee and Evelyn. Their three kids utilise sign language to indicate urgent needs, and when the smallest shows interest in a battery-operated toy, it raises alarms right away. You can feel their terror, but what exactly are they terrified of?

We’re going to find out, thanks to that stupid toy, in a masterfully planned  sequence that quickly and effectively establishes the stakes and the family’s predicament.

The story (by Bryan Woods and Scott Beck) jumps ahead more than a year, with the Abbotts, now down to one, returning to their property while being watched by posters of other lost souls. While Lee is teaching his son, Noah Jupe, how to forage, Evelyn is getting ready to give birth, and their daughter, Millicent Simmonds, a wonderful young deaf actor, is furiously resenting her parents’ overprotectiveness.

“A Quiet Place” is a classic monster feature with a single, straightforward hook that provides a pleasant respite from the deafening clamour of almost any contemporary action film. The animals can only move by sound, are blind, and are hungry. Reminiscent of skittering ear holes with sharp teeth and clattering appendages, their craniums fold apart to reveal a throbbing, moist membrane. Drawing inspiration from a range of classic horror films, such as “Alien” and “Predator,” their origins are maintained a mystery despite their familiar yet effective look. The movie sensibly acknowledges that the mystery of extraterrestrial creatures or renegade man-made weapons is immaterial.


Mr. Krasinski (who also assisted with screenplay writing) directs with finesse and restraint, using a narrative shorthand of news clippings, briefly whispered discussions, and strategically placed devices — like a little breathing mask to silence the new baby, and good luck with that. He is aware that we lean in when the sound is muted, and he makes us notice facial expressions in a manner that hearing audiences are rarely obliged to. One of the movie’s unique joys is watching Ms. Simmonds move from hurt, doubt, rage, and acceptance. The actors handle this scrutiny with grace.



With a musical score that all too frequently tries to tell us when to jump and how high, “A Quiet Place” feels inconsistent, neither intellectually stimulating nor even logically sound (push any weak point and the entire plot crumbles).

Nevertheless, the film succeeds in convincingly capturing a scenario in which a rusty nail might be just as deadly as an undetonated and the few residents appear to be more likely to perish from stress than any other cause. Even if you enter jaded, you’ll either leave thrilled or I’ll take my words.


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